#Katniss in her mockingjay dress
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naocreative10 · 7 months ago
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This is kinda how I imagined the mockingjay dress. Will probably draw it from a different of angle too cause I don’t really like the result.
But what do you guys think?
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quest-is-typing · 1 year ago
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I need someone to make a hunger games-inspired prom dress with a layered black skirt and red and gold fabric underneath so it looks normal when you walk but it swirls with fiery colours as soon as you twirl in it
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The first real conversation Katniss has with Peeta is when he tells her that he wants to die as himself, that he doesn't want the games to change him into something he's not, and that he wants to keep his identity and prove he's more than just a piece in their games because that's the only thing he has left to care about.
The first time we see Lucy Gray she sings a song that basically says that nothing they could take from her was worth keeping. "Can't take my past. Can't take my history... You can't take my charm. You can't take my health."
The capitol has taken everything from them both, but at the same time, they could never take away who they are.
They are both likeable charismatic and funny, with the kindest hearts, and incredibly loyal to the people they care about.
At the same time, everything they do before the games, and during is calculated. Lucy Gray singing a love song and winning the hearts of the capitol. Peeta confesses he's in love with his district partner, therefore cementing her identity as desirable. Both of them know how to sway people with words, how to charm people, and how to manipulate crowds. Neither of them has any problem doing so to keep themselves, and the people they love safe.
Lucy Gray's song The Old Therebefore, about learning how to love and live her life to the fullest before death, a final and calculated stroke in a last-ditch effort to save herself from the arena. This evokes enough emotion in the watchers to get them to rise to their feet and plead for her life alongside Snow.
Snow, watching the 74th and preparing for the 75th Hunger Games sees Lucy Gray in Katniss. A young girl, from the 12th district. Unafraid at the reaping. Selling a false love story, manipulating a boy who loves her in order to get out and supporting the revolution with the mockingjay as her symbol.
He threatens her family to get her to sell that she and Peeta are in love, to prevent the revolution, because obviously, she's pretending. He's had experience with a girl just like her before. He has no doubt that she has the acting ability to sell this story because clearly, she manipulated the first Hunger Games in her favor, the same way Lucy Gray manipulated him.
Watching the interviews for the 75th Hunger Games he realizes-
Katniss is just an impulsive girl, in a Mockingjay dress she didn't know about, made by someone who supports the revolution.
Peeta is a boy who has the ability to move people with just his words. He made Katniss desirable, he was the one who sold the love story, and he was the one to make their romance seem real. Katniss only started the revolution because she would rather risk dying with him than live without him. A concept President Snow was completely unfamiliar with. And it is with all these realizations crashing around him Peeta drops the baby bomb. He knows the baby's not real, and so does Snow. But it evokes enough emotion in the watchers to get them to rise to their feet and plead for the lives of the tributes.
Is it Lucy Gray or Peeta?
By the time Snow realizes he's made a mistake, it's too late.
Peeta is still charming and manipulating the capitol. Katniss is in love.
He goes up against a kindhearted boy expecting to beat Sejanus again, only to find out that it's Lucy Gray he's fighting; knowing he will never be able to escape their ghosts.
-from a conversation i had with @grandtyphoonpoetry breaking down every character in the hunger games.
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vasilissadragomir · 11 months ago
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one of the most heart-wrenching things about thg universe is that you feel the loss of who each character would be outside the circumstances of their birth almost as acutely as you feel the loss of the characters themselves.
sure, we know what lucy gray and her family would be doing in a different world; she’d be dancing and singing and making music which defines a cultural identity. but what about the others? would haymitch have been a hilarious, loving father with a family had he not been forced to survive 47 other children’s brutal deaths? would finnick have been a charismatic and beloved actor, bringing joy to immeasurable people on his own terms? would beetee and wiress have worked together to develop technology to make it easier to connect loved ones far and wide? what would reaper and annie have given to the world, or thresh, or rue, or even coral or cato or glimmer or clove?
if katniss wasn’t half-starving and forced to spend each day hunting to feed her family, would archery be her true passion? or if she’d been a well-sustained little girl with access to art supplies, would she have spent her time sketching captivating dresses? she picks up ropes and making fish hooks quickly—could her dexterity have lent itself to knitting, sewing, or crocheting with vibrant yarns and fabrics? there’s so much evidence that katniss finds clothing inspiring and empowering, even when she dismisses it as frivolous. she likes being pretty, she just hates the circumstances under which she’s made to look pretty. cinna shows her that beauty has its own power, and there are several moments in her interactions with cinna and his designs that make me wonder who she’d be if she had space for art and creativity in her life.
conversely, peeta has had art in his life since he was a small child, but for him, art has always been entangled with his trauma. he could bake and decorate well because he learned from his mother, a mother who beat him his whole life. but his talent grows, not only as a survival tool in the first games, but when he paints rue on the floor of the training center before the second games. his art becomes not only a symbol of his trauma, but a means of resistance and solidarity. in a world where peeta’s intrinsic kindness and loving heart had been nurtured and welcomed rather than abused, could he have been a painter, helping people find collective meaning in the simple realities of life?
could katniss and peeta have still found each other in another world, a world without the horrors they were raised with, and bonded over their love of art? could they have been each other’s muses?
maybe they find their way to share art, after the events of mockingjay, as part of their process of healing and falling in love with each other. when they’re finally safe and have been for a long time, maybe katniss fashions peeta an easel for him to paint in their living room. after months of watching him gaze out the window and paint the changing leaves, katniss takes to knitting on a rocking chair in the other corner of the living room to steady her restless hands. they work silently as the days go by, quietly exchanging the things they’ve made to give each other the reassurance and love neither could ever fully convey with words.
and maybe one day, when they learn there’s a baby on the way due in midwinter, katniss takes a page from peeta’s sketchpad and starts to plan a series of sweaters and hats and socks she can knit for the baby. and peeta goes to the little nursery upstairs and starts working on a mural, so the baby will have something beautiful to look at every day. they work together to design the perfect baby blanket for their child, to ensure they will always be wrapped in a layer of protection and love by their parents.
but even if they find creativity and beauty in their lives after the end of mockingjay, the art they make will simply never be what that art could have been had they not faced what they faced. art comes from suffering, yes, but the human condition has so much suffering as is, and we’d never know what kind of art they’d make if they hadn’t experienced trauma of a distinctly sadistic and inhuman nature. but maybe their children, raised in a better world with love and protection and safety and joy and creativity and expression, will be the ones to create the art peeta and katniss never could.
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little-lynx · 2 years ago
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EVERLARK OUTFITS: THE VICTORY TOUR
This part of “Catching Fire” is done (finally) so I put it all together;) DISTRICT 11, THE SQUARE
I go to my compartment and let the prep team do my hair and makeup. Cinna comes in with a pretty orange frock patterned with autumn leaves. I think how much Peeta will like the color. <…> As the train is pulling into the District 11 station, Cinna puts the finishing touches on my outfit, switching my orange hairband for one of metallic gold and securing the mockingjay pin I wore in the arena to my dress. <…> I can hear the anthem beginning outside in the square. Someone clips a microphone on me. Peeta takes my left hand. // Catching Fire, ch. 4
I think this dress should be a little semi-official so I choose cape sleeve sheath midi dress. It’s perfect for autumn (and they have early autumn weather there in 11th). The hair is just plain + gold hairband = girlish innocent look like the one after the games (this tactics they choose for the Tour). Plus I wanted to draw Katniss with her natural straight hair because i draw her with her braid usually ;) And again nothing about Peeta’s outfit. You know I feel like Portia 😅 because I have to choose how to dress Peeta. I’m not complaining through. So it is black suit with golden buttons (matching Katniss’s hairband and pin), thin soft orange sweater and black leather shoes.
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DISTRICT 11, THE DINNER
A pale pink strapless dress brushes my shoes. My hair is pinned back from my face and falling down my back in a shower of ringlets. Cinna comes up behind me and arranges a shimmering silver wrap around my shoulders. He catches my eye in the mirror. “Like it?”  “It's beautiful. As always,” I say. “Let's see how it looks with a smile,” he says gently. // Catching Fire, ch.5
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DISTRICT 7
Jackson has devised a game called «Real or Not Real» to help Peeta. He mentions something he thinks happened, and they tell him if it’s true or imagined, usually followed by a brief explanation. <...> But since Peeta’s greatest confusion centers around me—and not everything can be explained simply—our exchanges are painful and loaded, even though we touch on only the most superficial of details. The color of my dress in 7. My preference for cheese buns. The name of our math teacher when we were little. Reconstructing his memory of me is excruciating. Perhaps it isn’t even possible after what Snow did to him. But it does feel right to help him try. // Mockingjay, ch. 19
So we have only one sentence in “Mockingjay” about this outfit. And still I decided to draw it because I have a theory (head canon?) about it. I think Peeta remembers the color of her dress because it was special night for him (a lot of kisses and attempts to sneak away from everyone and maybe it felt very real at times) and also because she had two braids and the dress was red. RED is the color ❤️. / Peeta has dark red + black + a little bit gold which is also sexy color combination.
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DISTRICT 5 I volunteer to take Annie back to my house in 12, where Cinna left a variety of evening clothes in a big storage closet downstairs. All of the wedding gowns he designed for me went back to the Capitol, but there are some dresses I wore on the Victory Tour.  <…> Annie wears a green silk dress I wore in 5, Finnick one of Peeta’s suits that they altered— the clothes are striking. <…>  As surely as the embroidery stitches in Annie’s gown were done by Cinna’s hand, the frosted flowers on the cake were done by Peeta’s.  // Mockingjay, ch. 16
Katniss: green silk dress + wavy sleeves + sea waves embroidery / Peeta: ivory dress shirt + knitted green waistcoat with sea waves embroidery + tweed suit
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DISTRICT 2
Girl talk. That thing I've always been so bad at. Opinions on clothes, hair, makeup. So I lie. “Yeah, he's been helping me design my own clothing line. You should see what he can do with velvet.” Velvet. The only fabric. I could think of off the top of my head. “I have. On your tour. That strapless number you wore in District Two? The deep blue one with the diamonds? So gorgeous I wanted to reach through the screen and tear it right off your back,” says Johanna. // Catching Fire, Chapter 15
This description gave me strong “Anastasia” feels 😅. So I loosely based Katniss dress on Anastasia’s ballet evening gown. For Peeta I chose tuxedo jacket similar to Salvatore Ferragamo design for FF 12/13.  Neo classic, purple velvet, shiny shoes. Also I decided to include a cane, both to help Peeta to have some rest during all this Tour activities and as an accessory.
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DISTRICT 12
When we reach the mayor's house, I only have time to give Madge a quick hug before Effie hustles me off to the third floor to get ready. After I'm prepped and dressed in a full-length silver gown, I've still got an hour to kill before the dinner, so I slip off to find her. <…> She [Madge] saw my reflection behind her and smiled. “Look at you. Like you came right off the streets of the Capitol.” // Catching Fire, ch.6
When I started drawing this one I just felt that I need to make it look very “Capitol”. So I added some feathers. A LOT of sparkling feathers, haha. Also there are some “moon and stars” accessories in Katniss’ hair because this silver gown gives me moonlight vibes. For Peeta I came up with classic suit but made him wear it casually.
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i-upset-to-dead-65 · 1 year ago
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How I imagine Snow's progression of being reminded of Lucy Gray throughout the Hunger Games trilogy
1. Katniss volunteers. How cute. She has no chance of living past the bloodbath. Her name sounds familiar.
2. Katniss scores an 11 in training. So what she shot an arrow at the game makers. Well, that 11 will put a target on her and she's no match for the rest.
3. Peeta reveals he is in love with Katniss. What an interesting angle. Definitely some kind of ploy. Viewership will be up, as well as sponsors. Interesting to see how this plays out.
4. Katniss is trapped by the careers and Peeta. Aw, look, she dropped a hive on her boyfriend. Looks like she doesn't like him after all.
5. Katniss allies with Rue. Odd, and a terrible choice for an ally.
6. Rue mentions her pin, a mockingjay. The connection is made. Katniss, that swamp potato dug up by Lucy Gray and her mockingjays that still infest the districts. His dislike for Katniss grows.
7. Rue dies and Katniss sings the Meadow Song to her. A jolt runs up his spine. That old song, sung to Maude Ivory by Lucy Gray. It's still around in District 12 and now it's on national television. Snow knows how much the Capitol loves singing tributes.
8. The new rules are announced. This will be interesting. Of course, there's no way Peeta will live long enough for there to actually be two victors.
9. Katniss and Peeta are in the cave, and Peeta begins to recover. The huge influx of sponsored gifts is concerning. Katniss will hopefully die at the Feast trying to get medicine.
10. Peeta makes a full recovery. That wasn't supposed to happen, but the Capitol loves it.
11. Cato dies. Seneca didn't think they'd get this far. Time to revoke the rule change. Katniss will kill Peeta or vice versa. These children barely know each other, and in the Games they resort to their basic human nature of violence. Oh look, she's even pointing her bow at him.
12. The berries. The double victory. Seneca Crane is a dead man. They have outsmarted the idiot game makers. Snow is once again reminded of his cheating in order to help Lucy Gray win. How well that turned out for her in the end.
13. After the games. Snow is certain they are putting on an act to survive and meanwhile, defy the Capitol. Peeta is good with the crowd and is quick witted. So much like Lucy Gray. Katiss is impulsive and heartfelt. So much like Sejanus.
14. Snow learns Katniss hunts in the woods, he possibly traces her lineage, and he finds out everything he can about her. Snow takes measures to quell the rebellion brewing and control Katniss and Peeta throughout Catching Fire.
15. Katniss's wedding dress burns away into a Mockingjay dress. That damn bird again.
16. The force field gets blown out, and tributes escape. Snow recalls when the 10th Hunger Games arena was bombed.
17. Katniss's first propo is televised in the districts, declaring herself the Mockingjay. He should have killed all those birds when he had a chance.
18. The Hanging Tree propo airs. He'd almost forgotten Lucy Gray's songs. How could this girl, now, know them? The song was banned, Lucy Gray was dead. She was dead, right?
19. The rebels in District 5 sing the Hanging Tree while blowing up the damn. Chills run up his spine as he watches the live feed. A crowd of an indiscernable number flood the walkways to the hydro dam. They're singing a song they didn't know yesterday. A song no one knew until now. A song that was as dead as Lucy Gray. Except, she wasn't dead. How could she be, if her song is still sung? The dam blows and the lights go out in the Capitol. Snow half expects the ghost of Lucy Gray herself to appear before him.
20. The war is over. The Mockingjay has won. She appeared from nowhere, echoing the songs of Lucy Gray like the birds themselves. Well played, Lucy Gray. Well played.
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sunsetschloe · 1 year ago
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"Cant catch me now" by olivia rodrigo truly fits the ending of the ballad of songbirds and snakes because coriolanus sees Lucy Gray in everything. In the mockingjays, in the guitars, in the songs, in the snakes, in the rebels, in the rainbow coloured dresses, in katniss, in Every. Fucking. Thing. In a few years, he will not remember her face, or her smile, but he will see a mockingjay, and hear her laughter threatening to collapse his entire world. He will hear her songs, and remember how she once sang of him with so much love and passion. He will one day witness Katniss' bow after her assessment, and remember how Lucy Gray charmed the crowd into rooting for her. He will watch Katniss and Peeta with envy, and remember the way he used to caress her cheeks like that too. She will forever be the one thing that he longs for, but cannot quite grasp. She's everywhere, but he'll never be able to catch her. He will remember her even if he hates it, because she haunts every single one of his memories.
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tending-the-hearth · 1 year ago
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a (not entirely) comprehensive list of what i loved about the ballad of songbirds and snakes movie
(spoilers below)
i already gushed about it but the ENTIRE opening scene being shot for shot what happens in the first few pages of the book... like holy shit i was blown away
snow making the remark about the tessarae buttons reminding him of the maid's bathroom???? again directly from the book???
lucy gray's introduction, and her song!!!!
again this movie was... SO ridiculously faithful to the book it almost made me cry
tigris and snow's relationship was so beautifully portrayed, and knowing how they each end up makes it even more heartbreaking
sejanus always and forever my favorite character <3
the fact that they included arachne's death and kept it almost entirely identical to her book death?? and i'd argue that her death in the movie is more gruesome
the entire scene with reaper gathering up the bodies. it was my favorite scene in the book, and it's one of my favorite scenes in the movie. it's such a heartbreaking but powerful moment, like when peeta paints rue or when katniss gave rue a burial
the snake scene holy SHIT all the deaths destroyed me
but lucy gray singing??? and the snakes gathering around her like a dress??? and her voice just getting stronger and more steady as she realizes she won't die???
i might be wrong but i'm PRETTY sure that the first time we see lucy gray after the hunger games when she's singing in district 12 she's wearing mockingbird and jabberjay feathers in her hair!!!
and her snake bracelet that she wears!!
her smile when she saw snow in the crowd... if i didn't read the book i'd 100% be rooting for them
hearing lucy gray singing "hanging tree" was so haunting. i've seen people point out the difference in meaning in lucy vs. katniss' versions, and i'm definitely going to make a whole post abt lucy gray singing the song
omg the way people in my theater gasped SO loudly when lucy called the root "katniss"
while obviously not a good thing in context of the story, the way we could see snow slowly devolving and becoming more and more manipulative towards sejanus and lucy gray... absolutely terrifying storytelling
lucy's realization of what snow's done, and the way she holds herself together JUST enough to run away from him
the mockingjays and jabberjays coming together to sing "hanging tree"
tigris saying "you look just like your father" to snow at the end of the movie and us knowing that she also means the look of hatred in his eyes that she told snow she hoped she'd never see
THE FUCKING END WITH SNOW SAYING THE LINE AND HEARING RUE'S WHISTLE ECHOING AND EVERYTHING EXCUSE ME
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triassictriserratops · 7 months ago
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Would you be able to elaborate on your statement about the pseudo sexual imagery of the Everlark pearl? I hadn’t really considered the pearl from that angle before and would love to hear your thoughts on it.
In response to this post So firstly, this in NO WAY takes away from the other symbolism present in the pearl. This is in ADDITION to, NOT instead of. In fact, lemme go into it all from my perspective, although I know MANY creators have expressed a lot of this much more eloquently than I will! PEARLS AS THEY RELATE TO THE CAPITOL
i always viewed the presence of the pearls on Katniss' capitol wedding dress as twofold. Firstly, it speaks of the opulence and extreme perceived wealth of the Capitol. To have a dress adorned with chains of pearls - what a symbol of luxury! I also viewed them as binding/chains. A representation of the "freedom" of the victors. The trappings of their wealth while living under the thumb of the Capitol. Their chains aren't metal, they're beautiful and delicate but still present and just as deadly. Like a gentle hand on their throats.
PEARLS AS THEY RELATE TO PEETA In direct contrast to the Capitol pearls, the pearl Peeta gives Katniss is singular. It isn't purchased, it is found. It is found in a space where Peeta has nothing else to give to Katniss, other than his life. Instead of a chain or a burden it is meant as his symbol of freedom to her, in conjunction with the locket - "I give you fully back to your family. To the people who love and need you. I let you go, but this, here is something to remember me by." (And I also love how it's representative of Peeta's ability to find pieces of beauty in the most horrific of circumstances.) KATNISS' MENTAL CONNECTION OF PEETA AND THE PEARL We also know that, during Peeta's capture, Katniss connects this pearl heavily with Peeta's life and her need to protect it. "Tomorrow morning, I'm going to agree to be the Mockingjay." I tell her. "Because you want to or because you feel forced into it?" she asks. I laugh a little. "Both, I guess. No. I want to. I have to, if it will help the rebels defeat Snow." I squeeze the pearl more tightly in my fist. "It's just...Peeta. I'm afraid if we do win, the rebels will execute him as a traitor." I slip the pearl from the drawer and spend a second sleepless night clutching it in my hand, replaying Peeta's words in my head. "Ask yourself, do you really trust the people you're working with?" I knot the pearl into the corner of the parachute, bury it deep in the recesses of the bag, as if it's Peeta's life and no one can take it away as long as I guard it. Then, later, when Peeta returns and is found to be hijacked, his essence and personhood taken from him and from HER - the Pearl becomes a symbol of the boy she lost and everything he isn't anymore. Then she finds the pearl Peeta gave me. "Is this-?" "Yeah," I say. "Made it through somehow." I don't want to talk about Peeta. One of the best things about training is, it keeps me from thinking of him. "Haymitch says he's getting better," she says. "Maybe. But he's changed," I say. I consider saying a final good-bye to Peeta, decide it would only be bad for both of us. But I do slip the pearl into the pocket of my uniform. A token of the boy with the bread. And, finally, when in the Capitol, in the last mention of the pearl, we connect it with his literal LIFE in Katniss' HANDS. (And Peeta's unwillingness to risk Katniss' life even for his freedom.) "Should we free his hands?" asks Leeg 1. "No!" Peeta growls at her, drawing his cuffs in close to his body. "No," I echo. "But I want the key." Jackson passes it over without a word. I slip it into my pants pocket, where it clicks against the pearl."
And, finally, here we go: THE PEARL AS IT RELATES TO KATNISS' SEXUAL AWAKENING It is no coincidence, to me, that the pearl is gifted from Peeta to Katniss following the events of the kiss on the beach. Katniss has now admitted to herself that Peeta holds sexual currency with her. Her body is reactive to his own and feeds a hunger in her, a flame. The giving and acceptance of the pearl can be viewed as the "tender" of that sexual currency. Katniss ALSO thinks of the pearl as it relates to Peeta in the ways that Peeta was able to make her PHYSICALLY feel. She connects it with both what she felt with him that night on the beach, and what she HOPES to feel with him upon his return. (And what she misses when he is "lost" to her.) I feel around for the parachute and slide my fingers inside until they close around the pearl. I sit back on my bed cross-legged and find myself rubbing the smooth iridescent surface of the pearl back and forth against my lips. For some reason, it's soothing. A cool kiss from the giver himself. I take the pearl from where it lives in my pocket and try to remember the boy with the bread, the strong arms that warded off nightmares on the train, the kisses in the arena. To make myself put a name to the thing I've lost. But what's the use? It's gone. He's gone. Whatever existed between us is gone.
all I'm saying is that Peeta would literally pass out if he ever hears about how she basically kept rubbing one out in 13 to thoughts of him. (Because, let's be real. That's what the symbolism of the pearl was.) Rolling the pearl between her fingers? Kissing it to her lips? COME ON. It's so on the nose. (Or clit in this case.) 🦪😏
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winter2468 · 10 months ago
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The Hunger Games movie ending scene was bad, and here’s why
Yes I’ve been thinking about this for years, no I am not done being annoyed.
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I’m just going to list things off.
No scars. In the books, Katniss gets caught in the fire from the bombs dumped on the Capitol’s children. The scarring is so extensive that not even Capitol plastic surgery can fix it. She explicitly says that she looks like a half-human mutt. But the movies won’t let her be ugly, so she’s smooth-skinned here.
Katniss is wearing a dress. Throughout the narrative, Katniss only wears a dress when the Capitol is forcing her to, be that at the reaping or during the many photoshoots and interviews. Even her mockingjay wedding dress was originally something she’d been forced to wear by President Snow, and the mockingjay details were added last-minute by Cinna, after Snow gave the order. Whenever Katniss gets to pick her own clothes, even if it’s the options presented to her by the Capitol, she goes for practical trousers, and never a dress.
She’s too young. In the books, it takes over a decade for Katniss to be in a mental place where she wants kids, and adding the age of her oldest child to that, she would be in her late thirties at the youngest in this scene, more likely in her forties. But god forbid that our heroine is allowed to age.
No leg hair. You might think I’m nitpicking here, but in the first movie, they had a scene when Katniss’ legs get waxed by the beauty team, so the movie writers definitely knew about it. In the books, Katniss explicitly says that she likes her leg hair, because the longer it grows, the longer it’s been since she was under the hands of the Capitol’s beauty standards. But women in movies aren’t allowed to show leg hair, so she’s shaved smooth here.
Losing the nuance. In the book version of this moment, Katniss and Peeta are watching their children play in the meadow. But what Katniss and Peeta know, but their kids don’t, is that the children are playing on a mass grave of those who died when District 12 was bombed. Just presenting it as a perfect golden meadow completely removes the horror from this scene.
[reposting this because t/erfs added horrible comments to the original version. trans rights!]
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margojacksonpotter · 10 months ago
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Parts in Mockingjay book that should have been in the movie:
-Katniss really disliked living underground at 13. She felt claustrophobic and missed being outdoors and hunting. She never followed the schedule to train and just hid in supply closets and took naps. If anyone tried to question this, she’d show them her medical bracelet and tell them she’s mental.
- Katniss and Annie traveled from 13 to 12 with Katniss’ prep team to find Annie a wedding dress in her house in Victor’s Village. Katniss’ wedding dresses were sent back to the Capitol but she still had a few dresses from the Victory tour. Annie chose a green one. Katniss says Annie laughs at wrong times in a conversation and drifts off mid sentence but Finnick likes her so she does too.
- Peeta decorated Finnick and Annie’s wedding cake. It was part of his therapy after getting hijacked. He decorated it with blue and green waves for their district.
-Johanna and Katniss’ friendship: Johanna wanted to fight in Capitol with the Katniss and Finnick. She and Katniss were deemed too “mentally unstable” to fight. They had to start at the lowest level in training and work their way up to the top. They were even roommates for a while. Katniss noticed Johanna avoided showers and was scared of training outside in the rain. She later finds out Johanna developed a fear of water after being tortured in the Capitol by being waterboarded and electrocuted.
- Katniss was mad that Peeta was sent to fight in the Capitol so she calls Haymitch. Haymitch gives her the ultimate reality check, delivering the best line in the series: “I think it's time you flipped this little scenario around in your head. If you'd been taken by the Capitol, and hijacked, and then tried to kill Peeta, is this the way he would be treating you?” demands Haymitch. I fall silent. It isn't. It isn't how he would be treating me at all. He would be trying to get me back at any cost”.
- In the last part of the training, Johanna and Katniss go through a combat stimulation in which the person must face their greatest weakness. Katniss’ weakness was taking orders (no surprise). In Johanna’s stimulation, she faced a flood, had a flash back and panicked. She was sent back to the hospital and wasn’t allowed to the Capitol. To make her feel better, Katniss combined pine tree needles with a bandage to make a sort of fragrance bundle. Johanna said it smelled like home. 🥹
- After the silver parachutes bombs and Prim’s death, Katniss was also affected by the fire. Her skin became discolored and patchy. Peeta was also at the Capitol Circle during the bombing and was burnt as well. He and Katniss have burn scars all over their bodies that never fully go away.
-After the bombing, Katniss is described as a mental “Avox”, refusing to speak for weeks after her sisters death.
-All the stylist and prep team of the Hunger Games were assassinated, with the exception of Effie and Katniss’ prep team. The victors of the Hunger Games were killed as well except for the ones who were imprisoned in the Capitol and saved by District 13.
- The bombs decorated as silver parachutes to m@rder Capitol children was Plutarch’s idea. A Gamemaker’s touch as President Snow described. Plutarch was just as bad as Coin. He thought it made for “good television”
-After Katniss murdered Coin, she was kept in the Training Center for weeks till they figured out what to do with her. She considered s@uicide many times, either by overdosing or refusing to eat. She wouldn’t speak and sang to herself constantly. All the songs her father taught her. After the war ended, Plutarch asked her if she wanted to be a part of a singing competition he was televising in 4.
-Katniss and Peeta wrote a book about all the people they knew and details about them: Primrose, Cinna, Finnick, Peeta’s dad. Peeta drew the pictures. Haymitch helped them too, giving them information about the tributes he was forced to mentor. They plan on reading the book to their children one day.
-What happened to District 12: Hundreds of people left 13 to go back home to 12. They began finding bodies in the rubble and burying them. Madge and her family were found dead. A large hole was made in the Meadow to bury them. Then people began rebuilding the town. With the mines closed, a factory was built from the Capitol to make medicine.
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beingsuneone · 11 months ago
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Sunset & Vine
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PART ONE | PART TWO
SYNOPSIS: one year was all you had, and the winners of the previous hunger games. You didn’t know them that well, but they were still youre only friends. Now you’re thrown back into the Games with some new confusing feelings.
FANDOM: The Hunger Games
PAIRING(S): Peeta Mallark x Victor!Reader
RATING: G
CHARACTERS MENTIONED: Peeta Mellark, Katniss Everdeen, Haymitch Abernathy, Coriolanus Snow, Johanna Mason, Finnick Odair, Effie Trinket, President Coin, Gale Hawthorne
GENRE/AU: Dystopia, Angst, a very small amount of comfort,
WORD COUNT: 5.2k
WARNINGS: Katniss is slightly OOC, Canon divergent in some ways but not others, CATCHING FIRE AND MOCKINGJAY SPOILERS, Reader won the 74th hunger games and Peeta and Katniss won the 73rd.
A/N: Jjj, I’ve really got to stop writing stories with ending like this. Lemme know if you want part two. FYI!!! Changed a few words that completely changed the context and set up for the next part.
DEDICATIONS: Peeta my beloved
CREDITS: Taylor Swift for the name (Gorgeous - Taylor Swift)
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It’s a woman, standing with her back to you— she has similar hair to yours and an almost protective stance to her. A haze of colour surrounds her… oranges, purples and yellows swirled into an indescribable but beautiful mess.
Peeta Mellark may be a fellow victor, and he may be one of your neighbours, but you know nothing about him. Except for this beautiful painting that he gifted you.
She wears a dress that flows in some sort of assumed breeze, and has a hand tentatively braced in her hair; there’s something so familiar about this scene that you can’t place— something familiar about the woman in particular.
You can’t place it.
You run your fingers along the small note that Peeta had left with the painting, hovering over the loopy cursive of his signature; it’s the same on the painting but it’s too beautiful to touch like that.
Last year, you won the seventy-fourth annual hunger games, and became a legend for getting district twelve two wins in a row— right alongside Katniss Everdeen and Peeta Mellark, Who won the seventy-third hunger games.
Thank god the months of parading you around were over and you could settle happily into your gigantic house by yourself.
Well, happily might be an over statement— you had no family, and certainly no friends… unless Haymitch counts but you don’t think he does.
So this painting feels extra special— a warmth in an otherwise cold and unfamiliar home.
“Where should I put it?” Muttering to yourself, you mentally scan the layout of your house; you’d want it to be in a place where you could see it often, but also somewhere where any house guest would be able to see it… yeah. House guests.
After shaking your head uselessly, you settle on hanging it in the entryway. For sure people would see it there.
You’d been putting off doing this for a couple of days, just because you hadn’t had a whole lot of energy to do anything but sit in a chair and half-read a novel.
So, after a few minutes of fiddling and messy calculations, the painting is hung in the entryway.
You take one last glance at the swirling coloured background once more, and then turn away, leaving the comfort and fantasy behind.
……
Victors are supposed to have immunity, they’re supposed to be done with the games for the rest of their miserable, trauma ridden lives.
But the seventy-fifth hunger games brings back all of the worst parts of last year— you know that out of the three other victors, you’re the female they want to get picked. You’re the easy decision, the loner that nobody cares about.
You know the Capitol loves Peeta and Katniss far too much, and you, not enough.
This, stacked on top of everything else the Capitol has put you through… it’s too much.
You’re pulled from your thoughts when there’s a knock at your door.
“Hello?” You say as you open it; Peeta Mellark is standing there with his lip turned down just slightly, his eyes center behind you for a moment before his face softens and lightens.
“Hey. You got the painting.” A smile melts onto his face, and you swear he looks… beyond words when he smiles.
After a long moment of silence, you clear your throat. “What brings you here…?” You stammer awkwardly, cringing at your choice of words.
He sort of— laughs? Chuckles? at you. “We’re talking strategy for the Quarter Quell and we figured we should include you.” His face falls again, and he looks like he’s holding something back.
Your back straightens. “The Quarter Quell isn’t for another few months—”
He nods slowly. “But we’re going to have to do the pre-tour… and they’re pulling names in just a couple weeks.”
The band around his ring finger gleams brightly in the sun, which sends some sort of jealous feeling rolling through you.
You shake your head because you don’t know Peeta Mellark, and, even if he is gorgeous, you don’t get crushes on people you don’t know.
Plus he’s in love and engaged to Katniss Everdeen, even if you did know him well enough to develop a crush.
He glances down, and then quickly yanks the ring off. “It’s, uh— just for the camera’s.” Then he gestures to the painting behind you. “That’s you, you know. I know you’ve never worn a dress like that, but I saw a screencap of you in The Games and inspiration just kind of… hit me.” he trails off at the end and fiddles with the ring in his hand.
“It’s… me?” You say slowly. “We barely know each other, why would you paint me?”
He takes a small breath. “You’re really beautiful, Y/n, I’ve always thought so.”
A breath hitches but you genuinely can’t discern if it’s him or you over the roaring of blood in your ears.
“So…” he starts again. “If you want to join us, we’re heading over to Haymitch’s now.”
“Okay.” You say, sounding more winded than you did before; you stare at him for a few more moments before you step out of the front door and shut it.
You walk silently beside him, trying not to take in his messy blonde hair or pretty blue eyes—and also, failing miserably—
Just as you reach Haymitch’s doorstep, you stop and tug on Peeta’s sleeve to get his attention. “It’s the most beautiful thing I’ve ever seen, Peeta.”
He looks down at you, the air around you charged with some kind of something that you can’t name, and just as he’s about to reach over to you, the door swings open.
“Why are you guys just standing out here?” Katniss says with her nose scrunched, she eyes you up and then eyes Peeta up in a similar fashion.
At least it wasn’t exclusively you.
Both your heads snap toward her, while Peeta smoothly comes up with a reason. “Y/n was feeling nervous, I was just trying to help calm her nerves.”
Haymitch raises an eyebrow from behind Katniss, and gives Peeta a look.
“Hey, Sweetheart.” He says, as Katniss steps aside and lets the two of you in. There’s a tenderness to his voice that you hadn’t realized you missed so much.
“Hi.” The three of you shuffle into what you think was once a living room but it’s chillingly messy in Haymitch’s house.
“Couldn’t we have done this at someone else’s house?” Peeta says, eying the empty bottles on the floor.
“No.” Katniss shakes her head, shooting Haymitch a glare. “Because everytime we have to talk to him, we have to wake him up with a bucket of water.”
You snort. “I’m sorry— a bucket of water?”
Haymitch cuts in. “Why do you think my hair’s wet? I definitely didn’t take a shower.” There's a water stain that makes his shirt sag, and you wonder how you didn’t notice before. Haymitch clears his throat. “Moving on; if it’s Katniss and Peeta then we can still milk the whole star-crossed lover thing— if it’s me or Y/n… that won’t work.”
“Y/n shouldn’t go.” Peeta interjects; you’re taken aback by it.
You fidget with the hem of your shirt. “I really thought I was the best person to go.” You pause, looking up at the three of them. “It’s not like there’s anyone here that will care if I don’t come home.”
Haymitch gives Peeta a scrutinizing look. “Look, Lover-boy, we know you have a crush but that isn’t enough for Katniss to volunteer herself if Y/n gets picked.”
Peeta looks to you and then back to Haymitch. “Katniss and I are the Capitol’s favourite couple right now, if we went we’d probably be much better off in terms of sponsors and parachutes.”
“And you don’t want her to go.” Haymitch gestures in yours and Katniss’s direction.
Peeta sighs but doesn’t deny it. It makes sense that he wouldn’t want his fiancé to go back to the Games.
“Peeta is right,” Katniss starts, “but, Haymitch, if you get picked… Peeta should stay. Either way.”
Peeta shakes his head. “No. I’m not staying.”
You cut in. “There’s no good reason why I should stay.” You’re basically the only clear answer; if you get picked you’ll go, and, if Katniss is picked, you’ll go. “I won’t.”
Now all three of them are staring at you. “If I get picked, Katniss can’t volunteer and if she gets picked, you can’t stop me from volunteering.”
Katniss huffs. “You can’t stop me from volunteering either.”
Really, you could all argue this for hours.
…..
The four of you had never come to a conclusion, and now it’s the day of the Reaping.
Effie stands uncomfortably at the bowl; she doesn’t seem happy about having to pull your names, despite her chipper facade.
“The female tribute for District Twelve is…” she says, digging around in the two slips of paper in the bowl. She finally pulls one out and reluctantly reads it out. “Y/n L/n.” She almost sighs your name.
Katniss’s fingers twitch nervously, like she wants to say something but you shoot her the strongest glare you can muster.
She doesn’t volunteer, and you’re glad for it.
You walk up to the stage, head held high; you know this is the start of the end of your life, so you might as well act more confident than you truly are.
Effie looks at you sadly once you’re settled behind her, and then turns back to the audience. “And… the male tribute for District Twelve is,” she spends another five minutes routing through the two names. “Haymitch Abernathy.” This time her sigh is one of relief.
But the relief does not last long.
“I volunteer!” Peeta says, stepping forward; Haymitch grabs his arm and says something too quiet to hear, and Peeta says something back. His face is full of determination as everyone watches him walk up the stage and stand next to you.
Everyone in your little group wears a look of defeat. Even you.
Only one of you can go home, and you’re going to do your damn best to make sure it’s Peeta Mellark.
…..
“I’m not ready for this.” You say quietly, as you walk down the corridor to your bedrooms on the train. “It’s hardly been a year, Peeta.”
He nods solemnly, not looking at you as you arrive at your door. His is just across the hall.
Peeta gently takes your hand in his and squeezes. “I know. It’s too soon.” He looks angry. “We were never supposed to have to do this again.” He drops your hand before you can reciprocate in any sort of way.
You do feel a little less nauseous though.
“It‘s okay.” You whisper, twitching your fingers and slapping it onto the doorknob. “It’ll be okay.”
Peeta’s eyes rove over you in a scrutinizing manner as though he’s trying to figure some meaning behind your words, but there isn’t one to figure.
Just that it will be okay. Peeta will, if you really just be specific. Peeta will return home, happy and safe.
Ready to live his life with the woman he loves… Katniss.
And you will fade into false glory and distant memory.
…..
“Finnick, Right?” You fidget with your fingers in front of you; Finnick Odair was an attractive man who oozed with confidence and smooth words.
“Want a sugar cube?” He asks slyly, holding one out to you. “They're supposed to be for the horses but— we’re going to die anyway, it won’t matter after that.”
You nod carefully. “Of course, because that would obviously matter if we weren’t already set for death.” You still take the sugar cube from his hand and pop it in your mouth.
You almost gag from it. Pure sugar was… a lot. “Ugh. That’s disgusting.”
Finnick chuckles. “But liberating.”
You shake your head but a smile still spreads across your face. “Liberating indeed, Finnick Odair. My last act of rebellion is eating a sugar cube.”
“Devastating, really. To the Capitol, I mean.” He smiles easily at you, before someone catches his attention and he saunters off.
Claudius Templesmith stood not far from you, crooning about something with one of the older tributes.
The older man— Betee, you think— stood, looking indifferent but also invested in Claudius’s ramblings and unnecessary questions.
You were dreading the questions he’d ask you during your second round of interviews.
The last time was time enough for you.
“What’d he want?” Peeta asks, walking up behind you and pulling your attention away from the other party-goers.
“Oh, you know,” you say flippantly, “sugarcubes, secrets, and sarcasm.”
Peeta’s eyebrows furrow in confusion but the smile remains on his face. “Sounds like an interesting conversation.” He extends his arm to you. “Shall we?”
You sigh. “Not like we have much choice.”
….
“I’d give anything to know what’s going on inside your head.” Peeta says softly, fidgeting with the rope in his hands. You’d both decided that learning how to tie some knots would be beneficial.
You chuff, an awkward laugh. “What do you mean?”
His fingers work steadily, and somewhat clumsily, with the rope; there’s something alluring about how sure he can be with his hands.
It makes you think of the painting in your house— the one that you’ll never see again— how patient he must’ve been to complete such a beautiful piece, how still and sure of himself.
“What are you thinking right now, Y/n?” He looks up at you, with those beautiful blue eyes of his.
You shrug. “I was thinking about…” you trail off, because you absolutely cannot say that you were thinking about his hands. A half-truth will have to do. “Your painting. How I’ll never see it again.”
Hip lips pull into a frown. “You’ll see it again, I’m going to make sure of it.”
Sighing deeply, you stand. “You’re the one who has to go home, Peeta, not me.” He opens his mouth to speak but you cut him off. “It has to be you.”
….
You don’t have the time to argue about it for the next couple of days, you hardly even see each other.
Now, Cinna is preparing you for the arena. You know that everything he gave was meant for Katniss, he had obviously expected it to be her, or that he wouldn’t style you.
He hadn’t been your stylist, but yours had opted out of this year’s games, claiming it was too painful to watch you go back in.
You hadn’t liked her much the first time around, wanted to change you too much in ways that you most definitely did not like.
Cinna, though, you liked him. Though this would be the last time you saw him.
You were dressed in whatever mandatory suit that they designed for this game, a skin tight suit that looked like you were about to go scuba diving.
“It’s time.” Cinna says, glancing back to the tube at the back of the room. You turn back to it.
“Thank you, Cinna.” You say, bowing your head for him. “It was nice getting to know you.”
He smiles half-heartedly. “It was a pleasure, Y/n.”
You exchange a final goodbye and step into the tube. The sixth second countdown begins as the tube starts to ascend.
It's all water, just water and water and water in a large circle around them. There was also thin sand bars that connected the tubes and the Cornucopia, but you knew you wouldn’t be braving that.
Peeta stands three tubes down, with a morphling, a Career and Johanna between you two.
Twenty seconds.
You stare at him desperately, hoping he’ll stick to the plan and swim towards you; you catch his eyes and he smiles reassuringly. It’s not a genuine smile but it still calms you all the same.
Ten seconds.
You ball your fists, clenching hard.
Nine.
Eight.
God, it’s going to be difficult to get out of the water.
Seven.
Six.
You’re not the strongest swimmer, maybe you should go to the Cornucopia.
Five.
Four.
And it’s a long way to swim, even for someone who does know how. Only experienced swimmers, like Finnick, would have an easy time of it.
Three.
Two.
Then, it occurs to you, maybe those sandbars go all the way to the shore; if you get to the Cornucopia, Grab, well, anything, and then flee via the sandbars, you just might be okay.
One.
The pads everyone stands on recede into the water and dumps everyone straight in.
It makes you realize that most of your competitors do not know how to swim.
Peeta is just barely floating thanks to the bright purple belt that had been strapped around all your waists.
You know how to swim at least a little bit , so you unbuckle yours and swim over to him; once it inflates fully, you give it to him and try to drag him towards the sandbars.
It dawns on you all over again that Peeta is a tall guy, and he’s not exactly small either.
He’s strong and his weight definitely shows that; he tries to keep himself afloat but ends up making it worse.
Eventually, you make it over there, and he pulls himself up onto the loose sand; it takes a bit of effort because it’s slippery and keeps moving under your weight.
It’s barely stable enough to be a viable option. Just barely.
You leave him there for a minute and swim to the cornucopia. There's fighting going on on its small platform, but you just snag a small waterproof bag that sits a few yards away; a knife comes flying in your direction, and knicks your face.
The salt of the water stings as it mingles with blood.
When you spin back towards Peeta, he’s struggling and Finnick is approaching him.
You race back as fast as you can.
Finnick already has some pretty gnarly weapons strapped to him.
You’re about to draw the knife on him when shakes his head. “Relax, Y/n, I’m saving his ass.” Then he lifts a hand out of the water and flashes some sort of bracelet at you.
It’s the alliance bracelets that Haymitch had mentioned.
Oh.
“I-”you start, but you never really had a sentence to begin with.
You just lag silently behind as Finnick helps Peeta to the shore. The closer you get to the shore, the wider the sandbars get, and the sturdier they are as well.
Until they're eventually higher than the water, and wide enough for both Peeta and yourself to walk side by side.
You collapse onto the sand when you finally reach the shore and stay there for only a second.
That’s all you have before the three of you are up and running into the forest in front of you.
….
When Peeta’s heart stops, you're sure that yours does too— you’re sure that, as you stand there in a state while Finnick tries to resuscitate Peeta, you’re also unresponsive and silent. Dead.
True enough, in a way.
The longer you stare at Peeta’s face, still twisted in pain from the shock, the more you feel like dropping to the ground and sobbing.
You tried to imagine the way he painted with camouflage training stuff, drawing intricate designs onto both his and one of the morhpling’s arms.
It had washed off by the next morning but you had spent the whole night longing to touch it, run your fingers along his arm, trace the shapes and swirls.
Beyond the paintings, you recalled his magnetic smile and the way he always made you feel safe and calm, the steady air that he radiated.
You weren’t ready for him to die, he was the one who was supposed to win this, after all. You had resolved that Peeta Mellark was going to be the winner of the 75th Hunger Games and you were going to do whatever you needed to to make that happen. You were even prepared to turn into somebody you weren’t, just to make sure Peeta went home. Or at least, you thought you could if you had to come to it.
But now, you’re ready to give up. Finnick or Johanna could win— and they should. Literally anyone else but you. Everyone who had a life now that Peeta is gone.
You’re just about to collapse to the ground when Peeta starts to cough erratically, and he manages to sit straight up.
“Peeta!” You cry as you fall to the ground next to him, and wrap your arms around his neck. He seems disoriented for a moment before he hugs you back, right. “I really thought you were gone.”
He gently strokes your back, as you fuss over him, double checking that he’s okay and checking his burn.
…..
You hear a loud sickening crack from somewhere else in the arena that makes everyone but Johanna and Finnick jump. You feel Peeta’s hand wrap around you protectively and pull you closer to him in the single instant that you’re all reacting to the noise.
It takes a few delayed seconds before each one of you realizes that it’s just the lightning in 12, before you realize just how having Peeta’s hands on you makes you feel.
His fingers slip from your waist, brushing softly as they fall away and leaving you feeling just slightly feral.
You pull yourself away, and dig your nails into your thigh to ground yourself. Getting used to this clock thing was going to be agonizing.
You’re waiting patiently as the lot of you— You, Peeta, Finnick, Johanna and Beetee— come up with a plan to take down the force field and take out the Careers at the same time.
You can barely focus on the conversation because you itch to have Peeta’s hands on you again, to feel his fingers against your skin again.
In fact there’s so many things you’d like to say and do with Peeta that you know you will never have the chance to; not to mention that he is in love with someone else and would never be interested in any of those things with you anyways.
You’re pretty sure you’d been staring at Peeta but you only notice because Finnick shoots a look at you— you can’t tell exactly what he’s thinking but it must be something about that.
You try to zone back into the plan.
….
Trying to trap the careers failed miserably, and the person most experienced with a bow was you, but only thanks to Katniss’s training.
Everything was a blur as the force field came down; chaos, fire everywhere— you couldn’t see or hear Peeta.
You worried about him and you laid pathetically on the ground, half out of your mind. You wondered if he was having trouble with his prosthetic leg, or having run from Enobaria or one of the other careers. You wondered if he’d make it out okay, even though it was obvious you wouldn’t.
You wondered and worried for what felt like forever until an airship appeared above you.
Great. You thought, the Capitol has come to torture you and everyone you’ve ever loved until the couldnt anymore and all of you was nothing more than a shell of a person. Until the only option was avox or death.
You can’t move, or fight it as the giant claw, scoops you up.
All that effort and you still managed to condem each and everyone of you to torture.
…..
“Relax, Y/n!” Haymitch snaps, as Finnick restrains you.
Katniss sits on the other side of the table, looking just as devastated as you.
“What do you mean, you didn’t get Peeta? You can’t just leave him there, they’ll hurt him worse than any of us could ever imagine!” You say, still struggling to get away from Finnick.
Katniss actually argues in your favour. “I did say I would only do this thing if you got both her and Peeta.”
Plutarch, the game maker shakes his head redundantly. “Peeta and Johanna were just to far away for us to locate before the Capitols airships came; I’m sorry, we’ll get them back eventually.”
Finnick finally lets you go once you’ve calmed down. He has a solemn look on his face. “I’m sure they’ve got Annie too. We need to save them as soon as possible.”
….
As soon as possible turns into several weeks, several heartbreakingly, agonizingly long weeks.
You can’t help but think about Peeta every moment of every day . You imagine all the terrible things Snow is doing to him, you wish it was you in his place.
Peeta was the one person who never deserved any of this, over anyone else. You and Katniss had been willing to do whatever you needed to to survive, you’d done things maybe you weren’t particularly proud of. But Peeta? He had never let the Games change him.
He had always been the same.
Safe, steady, comfortable, strong.
You don’t even have any hope that they’re showing him any mercy.
They aren’t.
You know now, you know by the way that last interview they aired went— how he was struck just as the cameras shut off, how your heart broke when you looked into his eyes, when you saw just how much they’d hurt him already.
You were just about ready to burst into Coin’s office and tell her that you were getting Peeta now, regardless of the consequences to Thirteen.
Gale and Katniss were fighting a lot lately, tension was heavy between them; and not in a good way. You didn’t know Gale well, but the comments he made about Peeta made your skin crawl and your hands itch to throw a few punches.
Actually they were arguing now, about Peeta, and you were listening.
Gale’s head snaps to you randomly and he barks at you; “and you! Why the hell are you so invested in Bread Boy?”
You startle for a moment, but then narrow your eyes. “What do you mean why am I invested? He’s my— friend.” You say, sounding unsure even to yourself.
Katniss huffs. “I mean, come on, Gale, you know that our relationship has been fake from the start and we—” she gestures between the two of them. “—we’re friends, Gale, we always have been.”
He scoffs, and says something else in a bitter tone but all you can hear is Katniss’s words replaying over and over in your brain.
Our relationship has been fake from the start.
“Shut up for a second!” You snap at Gale, and turn back to Katniss. “Your relationship was fake the whole time? Yours and Peeta’?” You almost feel like an asshole for asking, just in case it is real; but so many things Peeta has done and said make so much more sense recontextualized like this.
Like when he said their rings were ‘just for ten cameras.’ Or when he told you he always thought you were beautiful. Or even the way he tried so hard to convince not to go back into the games.
Both of their faces fall flat, Katniss’s in disbelief. “You didn’t know?” She says.
You shake your head slowly. “No, I-” you stop yourself because you're at a loss for words.
“Y/n, we didn’t try to hide it from you, how did you not know? Even Haymitch said right in front of you that Peeta had a crush on you!”
You deadpan once again. You had blatantly misread everybody’s words in that conversation. “I just assumed that was about you!” You stare at each other for a second longer before you stand up abruptly. “I have to go.”
There was a lot of thinking you had to do and then a lot of planning— and a bit of yelling too.
…..
You were deemed too invested in the mission to actually go on it, and Finnick was too distressed over Annie to be allowed.
So you had been sitting together in silence; the silence was comfortable but the insane amounts of stress running through your veins was enough to make the tension in the air as sharp as a knife. Not between each other but to any other person.
Especially since Gale was allowed to go on the mission, and you felt that was entirely unfair— Gale doesn’t even like Peeta.
It had turned into a whole day of waiting, and only twenty minutes ago, they had returned with Johanna, Peeta and Annie.
The anxiety had grown tenfold when you were both informed you weren’t allowed to see them yet.
Now, you’re standing outside the door where Annie was resting, watching her through the one way window.
Finnick’s eyes are filled with so many you can only pick out one or two; you wonder if your eyes will look similar when you enter Peeta’s room.
You wish him luck and watch as he enters the room; Annie looks like she screams his name and then jumps him. He holds her up, looking like it’s the happiest moment of his life.
Watching them makes you much more excited to see Peeta, although you're not sure it will be quite that exuberant of a reunion.
You walk a couple doors down, glancing in the windows as you do; but you stop when you see Katniss and Johanna in one of the rooms before Peeta’s.
Why in the world is Katniss in the Hospital? What happened?
You push open the door gently, and Katniss doesn’t stir— you take note of the morphling drip in her arm, that must be keeping her knocked out.
You see Johanna is also asleep, her head is shaved and she has the worst tortured expression on, even though she looks to be sleeping soundfully— physically, anyways.
If she’s looking that bad, you can’t help but wonder about Peeta. You’re always wondering about him.
You don’t want to disturb either of their healing so you quickly leave the room, shutting the door as quietly and calmly as you can.
Finally, as you walk out, you spot the guards in front of Peeta’s door; you think it’s a little strange, considering neither Johanna nor Annie had security at the door but you walk towards the door anyways.
The guards hold out a hand as you approach.
“Restricted access, you can’t go in there.” The guard says, almost heartlessly.
Just as he finishes speaking, the door opens and Haymitch steps out and away. You would look through the window but the blinds are down.
“I’m sorry, Sweetheart, you can’t see him.” Haymitch takes your arm and leads you back down the hallway. “The Capitol… they tortured him so bad he—” Haymitch stops, and looks away for a second before looking back. “He tried to strangle Katniss, and kept yelling about how Katniss was a liar. He’s not himself right now.”
So much for your heartfelt reunion.
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All content belongs to @beingsuneone , do not repost, copy or post on other platforms without my permission.
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I don't think anyone can understand how obsessed I am with the idea of reading Snow's point of view of The Hunger Games. I used to want Peeta's version, but after reading The Ballad of Songbirds and Snakes, there is nothing more that I want than to read Snow's complete obsession with destroying Katniss. All the memories of Lucy, the rage he must've felt when he heard Katniss sing that song, the hatred he must've felt for Cinna when Katniss's dress changed into the form of a mockingjay. I want to read his reaction when he realized that Plutarch had betrayed him, the fury that followed at the reminder that the Mockingjay, that Lucy's greatest revenge, was managing to beat him more, and more. This mere girl from District 12 was destroying his entire foundation both literally and mentally.
Weirdly enough, I do believe he saw a lot of similarities between Katniss and him as well, especially involving Peeta, and I genuinely want to know his thoughts on that because Lucy was more warm-hearted, and naive, but Katniss was more cold, and logical like him.
I also want to read his descent into power and how many people he continued on poisoning. I want to see what finally caused the relationship between Tigress and him to end to the point where she'd wish Katniss good fortune on her plan to kill him, the ruin of their relationship. I want to see her reaction when she found out that Snow was selling off the victors into prostitution when he knew damn well that she had to do it to be able to feed them all when they were starving and poor, knowing how much pain it caused her, and still forcing that fate onto others without a care which was most likely the tipping point of their severed connection, but still, I want to see the denial, and all the signs she must've seen before having to face reality. I want to read what happened between the timeline after The Ballad of Songbirds and Snakes and before The Hunger Games. I want to read about his cruelty as messed up as that is only because it'll make reading his downfall only sweeter.
I'll use my imagination for now, but still, hopefully it happens cuz damn, what a book that will be.
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asterias-record-shop · 1 year ago
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𓆩[in our next life || III]𓆪
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𓆩[masterlist]𓆪 𓆩[next part]𓆪 𓆩[request/ask me something!]𓆪 𓆩[join the taglist!]𓆪
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𓆩♡𓆪 CHARACTER - Finnick Odair x Fem! District 4 Victor! Reader
𓆩♡𓆪 TYPE - fluff, slight angst
𓆩♡𓆪 WORD COUNT - 2.6K
𓆩♡𓆪 SUMMARY - Peeta and Katniss weren’t the first to fall in love after the games. That title went to you and Finnick, your mentor after you were Reaped at the age of fifteen two years after Finnick. After being dragged back into the Games with the Quarter Quell, you both are determined to stop it, no matter what- especially if one of you would gladly sacrifice themselves for the other.
𓆩♡𓆪 STORY WARNINGS - cursing and other foul language || no smut this chapter || mentions of wanting children || Finnick gets a little frustrated, but it doesn't last very long || you and Katniss have a talk || mentions of forced prostitution || baby names inspired by water || pregnancy test || eating shared candies if that makes sense || you and Finnick cry together, this chapter is really more fluffy and you and Finnick are just loving each other || (All of the warnings I can think of, lemme know if you think i should add anything else! warnings for full fic in the masterlist)
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When the interview with Caesar was over, you collapsed into Finnick’s arms, sobbing. You didn’t care who saw, it didn’t matter who saw. As much as you needed Finnick in one area of your relationship, you needed him even more emotionally.
“You did good, darling, so good,” he whispered into your hair, fixing himself to sit down on the floor as your fluffy dress pooled around your sitting form. “Look at me, darling, you did so good.”
You inhale, looking up at him as he grinned down at you. His thumb rubs your chin, a shaky exhale falling from his lips. “I love you, Y/N. Every part of you, forever and always.”
You exhaled, nodding. “I love you, Finnick. Every part of you, until the end of time.”
You hear footsteps as you lay against Finnick’s chest, his fingers drawing patterns against your bare upper back. You probably looked insane as you looked up, tears staining your perfect makeup, but when you saw Peeta and Katniss, you smiled. Your arms wrapped around Finnick’s shoulders as he pulled you closer, inhaling as Katniss paused.
“Smile, Katniss,” you say, exhaling. “It helps them believe you.”
You saw her fists relax as you nodded at her. She nods back, a slight smile developing on her lips before you giggled. “Wider, honey. If I can’t stop these games, maybe you can, Mockingjay.”
Her brow ruffled as Cinna ran over. “Y/N, darling, your makeup! Come on, we need to fix it.”
Finnick sighed. “Cinna-”
“Of course, Cinna,” you smiled as you stood, stepping off of Finnick. “Will you come with me?”
He nods as you grab onto the edge of his shirt, his other quickly taking both of your shaking hands into his own. You smiled at Peeta and Katniss, mouthing ‘smile’ at them as Cinna took you down to the salon to fix your makeup. “I like the blue, Cinna, put more of it please.”
He smiled, nodding as he does as you say. Finnick’s lips stay pressed to your skin, anywhere from your shoulder to the back of your hand. He watched the interviews of Peeta and Katniss, gasping when Peeta pulled the same trick he did. “Guess everyone has baby fever, don’t they?”
You hum. “I hope so. Maybe the more babies we make, the more they’ll want to shut down the games.”
“I wish that was how it worked, Y/N,” Cinna whispers, smiling sadly. “What names were you thinking?”
You purse your lips, pausing. “Finnick, of course,” you say, making him laugh as Finnick squeezed your hand before sighing. “I’ve always loved the name Nautilus. Or Atlantis.”
Finnick smiled. “I like those.”
You laughed before Cinna turned you back into the mirror. “You like?”
You smiled, nodding when you saw how beautiful the makeup looked. “I love Cinna.”
He grins. “Perfect. Now go, you’re going to be late!”
You quickly get out of the chair as Finnick grabs your hand, quickly leading you down to the stage so you both can raise your hands together. You grab the person’s hand next to you, grinning as you raise your arms before Caesar announces, “And we will see them at the wedding of Panem’s Prince and Princess, Finnick and Y/N!”
Your mind was hazy as you went back to the room, leaning on Finnick for support with his hand in yours as you both stood in the elevator. It was quiet on the way up, his hand softly stroking your hair as you squeezed the other. “Fin?”
“Yes, darling?”
“Can you go get me a pregnancy test?”
He pauses as the doors open, walking in with you. “Why?”
“You made me think,” you whispered, sitting on the couch. “I just want to take one.”
Finnick scoffed. “Why if you think we’re going to die?”
You pause, looking at his form; his arms crossed in a way that made his biceps bulge, jaw clenched and eyes glaring down at the floor. “Fin, come on,” you say, sitting next to him to pull him down to the couch. “It was for effect, Finnick.”
“No, no it wasn’t,” he says, looking over at you, gaze softening. “You don’t think I will protect you? I promise you, I swear to you, I will get you out of that arena alive.”
You smiled, leaning forward to press a soft kiss to his lips. “I know you will, Fin,” you whisper, sighing. You let your fingers curl into his golden hair, softly brushing your nose to his. “I will do the same for you, and you know it.”
“You don’t have to protect me,” he says immediately. “It’s been my job to protect you since you were born. I’ve always, always protected you. Remember when we were little and that fucking asshole kept untying your nets and I fucking pummeled his ass? And then-”
“I couldn’t protect you when you were Reaped, Fin,” you say, remembering when his name was drawn and you fought against Peacekeepers to get to him. You ran onto the stage, ignoring the scolding of your mother and jumped into his arms, sobbing until you were dragged away from him.
“Finnick! Finnick, don’t go!” You wailed. He had just turned fourteen, you still eleven and unable to understand the point of the Reapings and what you were feeling.
“Y/N, go, please,” he whispers into your ear, his hands still at his sides. “Go before someone kills you.”
“No! No, I'm not leaving you! Finnick, please, please don’t go. Don’t leave me, you promised,” you sobbed into his shoulder, arms around his torso. “You promised.”
His hands twitch as they slowly wrap around your waist, pulling you closer. “I’ll come back. I promise you.”
And he did. He did come back, but two years later, you went too when you were fifteen. And then, you came back.
Even then, nothing was the same as when you came back. After being sold by Snow, you and Finnick’s relationship was broken. You both blamed the suffering and traumas of the other on yourselves, and because of that, you stayed apart for about a month. It was even more torture than the literal torture of Snow, and when you both saw each other again, you never let the other go since then.
“Let me protect you now.”
He inhaled shakily as you pulled him closer, pressing a kiss to his lips. “We’ll protect each other, Y/N,” he says, kissing you again. “I swear on it.”
You smiled as he paused. “I’ll get you that test.”
You nodded, thankful as he opens the door, and when you don’t hear it close, you look over the couch. When you see Katniss standing there, Finnick’s arms crossed as he raised a brow. “Can I help you?”
“I want to speak with Y/N,” she says before Cinna comes into view.
“Finnick, darling, the rings are done.”
You jump over the couch, still in your long flowy dress. “Cinna! Let me see!”
“Ah!” Finnick says immediately, pushing you away. “No, you can’t see until tomorrow.”
You pouted, whining. “Fin, come on!”
He laughs, pushing you back slightly. “Go. Katniss, come in, Cinna, walk with me.”
You pout as he walks over, kissing your lips. “Get changed, darling. I’m sure it’s hard for you to walk around in that.”
You giggled, brushing your lips against his again. “I love you.”
He stroked your head. “I love you more.”
Finnick walks out, leaving the door open for Katniss to walk in. You hummed as she slowly closed the door. “Where’s Peeta?”
“Speaking with Effie and Haymitch.”
“Oh? So you’re here alone?” You giggled as you walked toward your room, looking back. “Can you untie my dress for me?”
Your words make her inhale, but she steps forward to let her nimble fingers tug at the satin string that tied up your dress. Easily, she gets it undone, and you let it fall from your form and step out of the dress and corset. She gasped as you walked toward the closet, basically completely nude besides your lacy panties that did little to nothing to cover you up. You pull on one of Finnick’s oversized shirts, opting to not wear bottoms as you come out and sit on your bed.
“Well? What can I do for you, Katniss?”
“What is up with you and Finnick?”
You raised a brow. “What do you mean?”
“You’re the Prince and Princess!” She yelled, covering her mouth soon after. “You both just… you, especially, you’re like… like-”
“Undeniably attractive?” You say, outstretching your leg with a giggle before leaning back on your hands. “Sexy? The epitome of lust?”
Her face falls. “I’m leaving.”
You laughed. “I’m playing! What’s your question again, Kat? Kitty Kat? Can I call you that or-”
“Why are you so self absorbed? Princess like?”
You giggle. “I was in the public’s eye since Finnick’s games. I was his girlfriend, Katniss, and when I was reaped two years later, we suffered the same fate over again,” your smile disappears. “Finnick and I’s lives are not everything you see on TV, Katniss. Even if you didn’t watch our show.”
She grimaced. “You didn’t answer my question.”
“You’re lucky you survived with Peeta, Katniss. Lucky that Snow wants you dead.”
She glared. “How is that lucky?”
You don’t look away from her, slowly hiking up your shirt. “Because it’s better than him wanting you alive,” you said, showing her a mark on your upper thigh that Cinna always covered with makeup. “Do you know what this is, Katniss?”
She pauses, but shakes her head.
“This is the mark of the people sold by Snow,” you say, pressing on it. It disappears for a few seconds, but comes back. “Only some know what it is. It’s impossible to take off, I have scars to prove it,” you say, pressing on it again to see the faded scar before it comes back. “Your games weren’t even a year ago. If Snow loved you like he did me and Finnick instead of wanting you dead,” you stand, walking in front of her to force her back against the wall. “Then you would’ve gone through the same things as us and come out just as twisted. Maybe worse.”
She inhaled, choosing to stay quiet as your fingers slowly stroked her hair. “You’re beautiful, Katniss,” you say. “And I’m glad you didn’t suffer like us. We do what we have to to survive, Katniss, and if being a whore in both the light of a camera reluctantly and behind closed doors willingly, then so be it.”
You hear the door open, stepping back. “I’m sorry- I am.”
“I don’t need your apologies, Everdeen,” you say, sitting back on the bed as Finnick walks in. “I need you to do two things for me,” you raise a finger. “One, I need you to be my maid of honor. The girls who get pregnant together, stay together. It’s good for popularity.” You raise your second finger. “Two, I need you to end these fucking games. For all of our sakes.”
Finnick pops a candy into his mouth, tapping your chin making you look up at him. He holds your chin, pressing a kiss to your lips before letting the candy slide into your mouth. You smiled, cherry flavor popping into your senses before you pulled away. “My favorite.”
He smiles. “Good thing I have more then,” he says. “Can I have another kiss?”
You giggle, nodding as you pull him on top of you.
“I’m leaving,” Katniss says immediately, turning around before you hum against Finnick’s lips.
“Oh! Wait!” You say as Finnick quickly got off, moving the bag he got before collapsing onto the bed. You go to your dresser, pulling out the box that Cinna had given you after the interview with a gift for the person you chose to be your maid of honor. As much as you wanted it to be Mags, you didn’t want to bring her out to the Capitol to watch you go back into an arena you only wanted to escape.
You took it out, ignoring the two boxes that held your matching gold bracelets before closing the drawer. Turning, you hand her the box. “For you and Peeta. Matching. I want you to be my maid of honor and Peeta to be Finnick’s best man. It works out that way.”
She slowly takes it, gasping when she opens it. She slowly takes out the necklace, cascading pearls wrapped in gold rope chains to cover her entire chest like a throwing net. She grabs the other, a thick rope chain with pearls studding each intertwined link for Peeta. “This looks-”
“Expensive? It is. Do you know how hard it is to get pure gold these days? Everyone wants those new carbon things but no, I want the classics,” you smiled as you went to the bed, quickly crawling over Finnick’s legs to sit on his lap. You push the candy around your mouth, covering it in your spit before leaning down, watching his mouth lull open obediently and let the cherry flavored candy fall into his mouth. You giggled, lulling out your tongue to lick at his own before looking over at Katniss. “Get to the estate at around nine in the morning. Finnick and I will be there earlier, but you know it’s bad luck when a groom sees his bride. Cinna’s assistants will begin dressing you when you get there.”
Katniss nods. “Okay, I will uhm… we’ll be there, all of us.”
You smile. “Sounds good. Make sure Haymitch and Effie wear black! If I see one speck of color, she’s leaving.”
Katniss laughs slightly. “Okay. See you tomorrow, Y/N.”
You look up, smiling at her. “See you tomorrow, Katniss.”
With that, she leaves as a loud crack makes you look down at Finnick who chews on the candy. He grinned, his tongue stained pink as you kissed his lips. You groaned as he pulled your hips into his own, rutting them softly into yours before his hands squeezed your sides. “You gonna take that test?”
You almost forgot about it, but you nodded. “Yeah. Yeah, I am.”
“Do you want me to go with you?” He whispers, hands stroking your side as you inhale shakily.
“Yes.”
He lifts you up, taking you to the restroom, slowly setting you down onto the ground. You go to the toilet, sighing as you slowly pull down your pants and opening up the test. Quickly, you do your business, clean yourself off and wash your hands before tapping on Finnick’s shoulder.
You whimper into his back, rubbing his arms. “Fin, I’m scared.”
He turns around, stroking your cheeks. “It’s okay to be scared, darling. Just remember I’m here and I’m here to help you, to protect you, to save you.”
You sobbed into his hands, gasping as the timer Finnick must have set and quickly grabbing the test. You inhaled shakily, the words Negative not registering in your mind.
“Y/N, honey?”
“I really wanted it to be true, Fin,” you whisper, your eyes burning almost as though there were no more tears left to cry. “I really wanted to be pregnant with your baby.”
A choked sob fell from Finnick’s mouth, his arms immediately pulling you into his chest as you both crumbled to the ground. You sobbed into his chest, his hands pulling you into his lap as you rubbed his shoulders and he rubbed your back. “We’re going to get out of there alive, my darling. I promise.”
This time, you believed him. Looking up, you pressed a kiss to his lips. “I love you, Finnick Odair.”
“I love you, Y/N L/N. Forever and always.”
“And when we meet in our next life.”
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Regular taglist: 𓆩[@lem0ns77]𓆪   𓆩[@cecepop15]𓆪   𓆩[@memeorydotcom]𓆪
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in our next life taglist: 𓆩[@poppet05]𓆪   𓆩[@ennycutie]𓆪   𓆩[@jewelrybean25]𓆪   𓆩[@arzua10]𓆪   𓆩[@savagemickey03]𓆪   𓆩[@ok-boke]𓆪   𓆩[@instabull]𓆪   𓆩[@maxinehufflepuffprincess]𓆪   𓆩[@starryeddie]𓆪   𓆩[@ashlynhasmanyhyperfixations]𓆪   𓆩[@taestrwbrry]𓆪
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next part will be uploaded this Wednesday! (and linked in masterlist and the link for next part) (05.17.23)
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© asterias-record-shop
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seduzist · 11 months ago
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a lil blurb of hcs of being katniss’ makeup artist for the interviews n stuff??😋
this is not hcs but hope you like it anon lol 💓
katniss couldn’t stop moving in the chair, she was so nervous and that was obvious, who wouldn’t be? about to make the five minutes interview that can be the difference between life or death in the arena. and, somehow, the soft brush on her face feels soothing, or maybe it was just your voice.
“you have a very pretty face, katniss.” you said, blushing her cheeks a little, focused on your work.
katniss had listened this about a hundred times this last week, with all the makeup artists and stylists that dressed her, but at your comment, she couldn’t help but let out a little laugh.
“what?”
“look at you, you’re more than gorgeous.” she smiled, seconds later recognizing what she just said, in such a natural way that she felt shy after.
“you’re much prettier.” you said, katniss rolled her eyes, she wanted to tell you that you were much prettier than her, in ways that she was doubting her own feelings, but she remained silent, letting you finish w/ her.
when you finished, you take a good look at her, staring at her beautiful blue eyes, until you’ve listened the voice of cesar flickerman announcing the tribute of the 11 district, knowing that katniss would be the next one and she was a nervous mess, you took her hand.
“i know you have your mockingjay, but if you want to, i could give you extra luck.” she looked at your face in confusion until you put your hand on her cheek.
“i-i want it, yes.” you could see she did her best to not stutter.
your lips met in a slow kiss, you tasted mint in her mouth and her body relaxed a little, losing some tension off her shoulders, she finally stayed quiet in her chair while you gave her a good luck kiss.
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caesarflickermans · 1 year ago
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The destruction of family is a common theme within the trilogy. Katniss’ life is shaped markedly by the death of her father, a man who she often comes to admire and idolise throughout the books. Her father is strongly tied to nature—Katniss learned to survive and hunt from him, and finds comfort in his woods (HG, 1). In contrast, she struggles to emphasise with her mother, who is haunted by her husband’s death and thus incapable to care for her two children (HG, 1).
Notably, there are similar parallels between Mr. Everdeen and Finnick as well as Mrs. Everdeen and Annie.
Outside of the individual deaths, both couples appear as a romantic story in a world where love seems impossible. Mrs. Everdeen leaves her family and social standing behind to be with Mr. Everdeen. Finnick protects Annie at all costs, and “no one seeing them could doubt their love” (MJ, 12). The Everdeen parents are the love Katniss grew up with, Finnick and Annie are the love Katniss seems to envy.
Like Mr. Everdeen, Finnick, too, is strongly tied to nature. Katniss remarks how it seems he had spent his childhood by the sea (CF, 16). Finnick’s proximity to water is reflected in his dress, such as his parade outfit (CF, 15) as well as his general appearance, namely his “sea green eyes” (CF, 15). More strongly than the other District 4 victors Annie and Mags, Finnick embodies nature. Where Finnick learned how to swim because of his District, Katniss learned how to swim because of her father (CF, 3).
In the same manner that Mr. Everdeen has become idolised by Katniss, “Finnick Odair is something of a living legend in Panem” (CF, 15). Panem, and especially the Capitol, have come to idolise Finnick to such an extent that his inherent character is no longer evident. Meeting the ‘real’ Finnick in Mockingjay is a pivotal change of perception that humanises Finnick and contrasts the myth-like victor persona (MJ, 1).
While there are several characters who are shaped by trauma, Mrs. Everdeen and Annie stand out in a parallel manner, too. Both Mrs. Everdeen and Annie had a significant life altering event that changed their mental health for the worse. Katniss follows a similar journey with each character; initially feeling only anger toward her mother until she returns from the 74th arena, where she begins wanting to mend this relationship and become more forgiving around her mother (CF, 3). Annie, too, is only seen as the ‘mad girl’ (CF, 24) until Katniss interacts more with her (MJ, 16) and begins to describe her in more kinder terms. Following each of their husband’s deaths, Mrs. Everdeen and Annie are tasked to take care of their child(ren).
As a war story, the circle closes itself: The story began and ended with a child whose father figure had died.
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